![]() #Stooges raw power vinyl plus#Sleeve Condition: Sleeve: Very Good Plus (VG+) With foil promo stamp to upper right of rear cover. #Stooges raw power vinyl Pc#Then the world heard Pop’s painfully harsh and distorted version of Raw Power, and suddenly Bowie’s tamer but more dynamic mix didn’t sound so bad, after all. Iggy And The Stooges - Raw Power (LP, Album, RE) Label: Columbia, Columbia Cat: 32111, PC 32111 Media Condition: Media: Very Good Plus (VG+) Will show some signs that it was played and otherwise handled by a previous owner who took good care of it. In time it became conventional wisdom that Bowie’s mix spoiled a potential masterpiece, so much so that in 1997, when Columbia made plans to issue a new edition of Raw Power, they brought in Pop to remix the original tapes and (at least in theory) give us the “real” version we’d been denied all these years. Raw Power became the LP that launched a million punk rock bands all around the world, leaving its flaming skidmarks on scenes from London to L.A. [After its release, Iggy was known to complain that David Bowie’s mix neutered the ferocity of the original recordings. RML now works for Mobile fidelity and he worked from tape. #Stooges raw power vinyl full#In many ways, almost all Raw Power has in common with the two Stooges albums that preceded it is its primal sound, but while the Stooges once sounded like the wildest (and weirdest) gang in town, Raw Power found them heavily armed and ready to destroy the world - that is, if they didn’t destroy themselves first. referencing Raw Power (LP, Album, Reissue, Stereo, URP Pressing) KC 32111 Excellent version with full sound, though no real deep bass (as all versions of the Bowie mix). Whether quietly brooding (“Gimme Danger”) or inviting the apocalypse (“Search and Destroy”), Iggy had never sounded quite so focused as he did here, and his lyrics displayed an intensity that was more than a bit disquieting. But the most remarkable change came from the singer Raw Power revealed Iggy as a howling, smirking, lunatic genius. From a technical standpoint, Williamson was a more gifted guitar player than Asheton (not that that was ever the point), but his sheets of metallic fuzz were still more basic (and punishing) than what anyone was used to in 1973, while Ron Asheton played his bass like a weapon of revenge, and his brother Scott Asheton remained a powerhouse behind the drums. By most accounts, tensions were high during the recording of Raw Power, and the album sounds like the work of a band on its last legs - though rather than grinding to a halt, Iggy & the Stooges appeared ready to explode like an ammunition dump. By this point, guitarist Ron Asheton and bassist Dave Alexander had been edged out of the picture, and James Williamson had signed on as Iggy’s new guitar mangler Asheton rejoined the band shortly before recording commenced on Raw Power, but was forced to play second fiddle to Williamson as bassist. N 1972, the Stooges were near the point of collapse when David Bowie’s management team, MainMan, took a chance on the band at Bowie’s behest. ![]()
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